Clutch/Bakerton Group

4/23/04 The Matrix - Boston, MA

Live review

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The Matrix is a new club located in the basement of the Roxy in Boston. It’s a cool space, I guess, but like all clubs in Boston the rock shows are crazy early and are over by 10 PM because of the dance night that starts at 11. Fuckers, I say. And double fuckers because the drinks are way over priced, not that I was in the mood to imbibe because of a little over indulgence the night before, but that is a story for a different time. A slight hangover notwithstanding, the real bummer of the night was sitting on the Red Line, in the tunnel outside of Harvard Station for 20 minutes because of a train fire. Yes, you read that right, a frigging train fire to add that special layer of noxious fumes inherent on the T. Did I mention I was hungover? Uber-nausea was the word of the night.

I missed the Bakerton Group, which is Clutch minus lead screamer Neil. I asked a friend of mine if they were good, and he reassured me they were. Show up early and check ‘em out. I caught most of Clutch’s set. They divided the night into two sets, the first one being around and hour and a half to an hour and three quarters followed by a twenty minute break and then another hour or so of tunes. As with all Clutch shows, it was amazing, the only thing missing was "Animal Farm". The last time they played Boston, they open with that and it was jaw-dropping. Talk about kicking an audience in the head!! They played many crowd favorites including, "I Have the Body of John Wilkes Booth", "Pure Rock Fury", "The Yeti" and "Escape from the Prison Planet". "Escape" lent itself especially well to an extended jam with drums and organ getting some time in the front of the mix. "A Shogun Named Marcus" was received with much enthusiasm by the crowd, this reviewer included. All the moshing in the pit made this wrought iron railing/drink holder around the ‘dance floor’ almost collapse. Mixed into the set were some offerings from Clutch’s new disc, Blast Tyrant. It was a trifecta of songs in the second set punctuated with furious organ playing. The addition of the organ to their sound adds a layer of funk and Americana to the usual sonic ferocity that Clutch is known for and in no way seemed forced. It works better than the horns added on The Elephant Riders. The newer material was a welcomed instance of tonal diversity to the musical landscape. It was all a prelude to the set closer, though. Clutch firmly planted their boot in yer ass while smackin’ ya in the face with a pummeling rendition of "Impetus". -I will not relent, I will not relent, I will not relent. I am driven! I’m sure those words echoed in the ears of many as they walked out the door have taken in all that is Clutch for the last 3 hours. All was well in Boston that night. If you miss An Evening with Clutch, you missed one of the best shows to come to town in eons.

Reviewed by: lux_interior13